The New Stillson

A Stephen King nasty stalks the land

August 16th 2011

 Stephen King (the writer, and neither of the two demented right wing politicians of the same name) invented a character in the late 70s called Greg Stillson, in “The Dead Zone”. King already excelled at creating pleasant monsters, and Stillson was one of the most memorable. A fast-rising politician, our introduction to Stillson occurs when he deliberately and coldly kicks a dog to death. The dog, defeated and broken, lifts his head up to lick Stillson’s hand, a gesture of submission. Stillson laughs and resumes kicking. He then drives away, feeling mild guilt and sexual arousal.

The central character/narrator, and by extension the reader, immediately pick up on a sense of wrongness about Stillson, a sense that behind the blow-dried hair and the charming grin lives something truly vile.

He was played, somewhat ironically, by Martin Sheen, who went on to become America’s most beneficent and most-loved pseudo-politician, President Josiah “Jed” Bartlet. In the David Cronenberg movie of the same name Sheen played the personable creep, and was pretty damned scary.

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The Cave

Heigh ho, into the darkness we go!

 August 2nd 2011

Right up until the end, I thought Obama was gaming the Republicans. I figured that he was just letting them climb further and further out on a limb with their unreasonable and extortionate demands, and then would suddenly shake their branch, announcing that negotiations were canceled, and to either extend the limit or wreck the economy, and they could put the rest of their demands up to a separate vote.

It turns out that, at best, he was being gamed, and at worst, he was gaming us. He’s either weak, or a liar, or perhaps both. With his capitulation on the debt-limit increase agreement, he has assured himself of being a failed one-term President.

I’ve been comparing him to Neville Chamberlain. That’s a little unfair to Chamberlain, who faced a more horrific and vicious foe, stood to lose more if the negotiations didn’t work out, and didn’t have to sacrifice his own political base in order to do so. Indeed, he returned from the Munich Conference with his bumbershoot, grandly announcing there would be peace in our time, to wildly cheering crowds. He had much more reason to capitulate, but is seen as an class example of weakness and lack of resolve 70 years later.

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Four stories

A grim day in the news

July 23rd 2011

Scanning the top four stories of the day, I found that one left me utterly mystified, another was so inevitable that it hardly even seemed to qualify as news, and one that manged to seem inevitable and utterly unexpected all at the same time. The last one sort of provides a framework for the social milieu in which the first three reside.

I keep trying, and failing, to make sense of the shooting in Norway. There have been so many mass shootings here in America, if not on that scale, that it scarcely seems worth asking “why?” The main question to me is “how?” How did one, or possibly two men build a bomb on that scale, and how did they get it next to the Prime Minister’s office building. How was one man able to get a police uniform, and what was he carrying that enabled him to kill 60 teenagers who crowded around him trustingly in just the first few minutes of his rampage? How did he manage that?

American right wing response was predictable, if in the usual demented fashion. As the story broke, of just the bombing, a loud howl arose about how important it was to do something about the Moslems, and that the bombing was doubtlessly Islamic revenge for those cartoons of the prophet Mohammad. Fox harpy Laura Ingraham tried to link it in some way to Park 51, the “ground-zero mosque.”

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US, Murdoch near limits

Tie me Kangarupe down, sport

July 10th 2011

  I can’t help but think that over the next month, things will be coming to a crux.  It’s not a sentiment I express often, especially since a friend of mine, one given to apocalyptic conspiracy theories, used words such as “crux”, “crisis” and “crucial” a lot, and I would tease him about the crucifixion imagery that suffused his writing.  It didn’t alter his writing style, but it made me more conscious when I use it.
Nevertheless, we seem to be heading for a convergence of paths that will prove to be a decisive time that will determine our lives for much of our future.  Yes, this is a crucial moment.

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